After the 482 billion VND "box office blockbuster" Flip Side 7: One Wish, Director and screenwriter Ly Hai continues to choose the family theme for Lat mat 8: Vong tay nang.

If in Flip Side 7 gather a big family of 5 small families then Flip Side 8 same: the extended family here is the young friends who founded the band The Light and their five own families, along with two other orphaned friends.

Bigger, more numerous, but...

The family chosen as the center, taking up the most time, is the family of Mr. Phuoc (Long Dep Trai) - Mrs. Hien (NSUT Tuyet Thu) with son Tam (Doan The Vinh), daughter Phuc (Hong Thu) and grandmother (NSUT Kim Phuong).

But other families also take up a lot of time in the film, describing their living conditions and individual problems.

Trailer for the movie Flip Side 8: Sunny Bracelet

And the highlight of the film is that the group of friends The Light looks really close, especially among the poor children, although the way they are portrayed is not very subtle or unique. Most of them are teenagers from poor families or orphans, except for the beautiful girl My (played by Bao Ngoc) who is from a rich family.

This is a common strength in movies. Flip side belong to Ly Hai. He has the talent to make the characters in the movie and the actors in real life look connected and have "chemistry" with each other.

Almost any part of Flip side also have a group of close friends who divide time equally, the "spotlight" is not too focused on anyone.

Since part 7, Flip side aiming for a large, impressive crowd, gathering dozens of actors. It is not difficult to understand that this style of filmmaking comes from a director who is passionate about big scenes. Almost every film by Ly Hai has a big scene with 1,000 people, or even more.

As for the setting, he always chooses at least one large place, like the vast sand dunes in the sunlight in Binh Thuan. Flip Side 8 very beautiful on film

But when things are scaled up, pushed to a huge, powerful level, then Flip Side 8 again and Flip Chain In general, the lack of attention to small details is increasingly evident.

Throughout the entire duration of the film, the narrator's voice of Phuc - the main character's younger sister - annoys the audience more than clarifying the content or bringing the necessary emotions. Because what Phuc tells and comments on is not difficult to feel, it can be completely grasped through the dialogue, expressions and acting of the other characters.

Not only Phuc's narration is redundant, many other lines in the film are also redundant. The characters seem to narrate and describe on behalf of other characters and the film's story instead of actually having dialogue.

For example, when Tam was very remorseful, the audience should have felt Tam's pain, but Phuc still had to "comment" immediately: "You still owe your father an apology."

The inherent weakness of Vietnamese films is that they go against the principle of "Show, don't tell", always explaining every thought and feeling, filling every blank space in the audience's mind to the point that they don't need to feel anything themselves.

However, because Ly Hai is a filmmaker with 10 years of experience, the audience has the right to demand more than such a simple storytelling style.

Disappointment Flip Side 8

Many elements of Flip Side 8 feels forced and incomplete. The two biggest forced points are the character's psychological plot that changes like a pinwheel and the series of plot twists at the end of the film, including an ending that forces the audience to ask: Why? Is it necessary?

Mr. Phuoc (Long Dep Trai) is the character with the most carefully constructed psychological line in the film. He also has a turning point in his perspective on raising children and dealing with his children's dreams, corresponding to the title of the film "Lat mat". But this change happened so easily that the audience could hardly believe it because before that, Mr. Phuoc was very harsh and stubborn with his old views.

The detail that Ms. Hien was discovered to be illiterate but had lived a normal, peaceful life with her husband and children without any problems for more than ten years before is quite absurd.

But the climax of the awkwardness and confusion is the series of events in the last 30 minutes of the film. The character participates in an important event in his life but is not well prepared, lacks a backup plan, does not think of a way to handle it in time, but leaves it until the last minute, even though it is not difficult.

In the urgent situation, the character still stands there fixing the car, smiling calmly without looking for help. Then suddenly the script depicts an unimaginably unfavorable weather condition, almost like a natural disaster. All of this combined makes the last 30 minutes of the film spread out and emotionally draining, like a giant grain of sand.

Source: https://baoquangninh.vn/khien-cuong-kho-hieu-va-hoi-hot-lat-mat-8-la-buoc-lui-cua-ly-hai-3355950.html